Line that up with her most recent project, an eponymous 30-minute LP that puts mellow vocal performances in conversation with the controlled chaos of far-reaching musical contexts, and what you’re left with is a series of unconnectable dots. In one SoundCloud loosie she quietly released as “DJ Weird Bitch” three months ago - its self-explanatory title: “dj weird bitch goes to NTS live headquarters and sets off a 7 yottabyte zip bomb on the wifi network” - she oscillates mercilessly between sped-up Japanese city pop sax solos, muddied rap-adjacent chatter, and glitched-out barrages punctuated by nifty transitions. 17 years old and making music since long before then, she’s dutifully peppered the internet with opaque tunes wrapped in inconspicuous packages, her scatterbrained sonic experiments separated solely by a smattering of odd monikers.
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